The Internet world does not respect copy protection, to say the least. Images can be dragged off the page by anyone and posted elsewhere, typically uncredited. BAPC members are concerned about this issue as recent emails have shown, but most seem to think it’s still worthwhile to post their images to the net anyway.
Here is why:
1. The Internet is the greatest communication tool going and a great way to get an image out into the world.
2. A web image is typically a reduced version of the original. Printing from this image will result in an inferior print compared to the original and not even close to the artist’s intention. Watermarking an image can further discourage printing. Stock Photography houses like Getty Images do just fine posting vast numbers of images to the web, but they post small versions only. If you want the larger version, you pay a fee.
3. Copying an image to another site or including it in another work of art, as annoying as that is, exposes the work to a greater audience. Worst case, the image is claimed by another artist as their own or is used without credit.
It’s still important to copyright and protect images particularly for print publication use. Professional photographers depend on being paid for each use unless they have sold that right to someone else. But the Internet seems to be a different kind of place. At some point image software may contain an expiration code that disassembles an image after a certain date. Until that happens anything you put on the web can wind up anywhere else.
Internet Rip Offs
/in Thinking about Photography /by adminThe Internet world does not respect copy protection, to say the least. Images can be dragged off the page by anyone and posted elsewhere, typically uncredited. BAPC members are concerned about this issue as recent emails have shown, but most seem to think it’s still worthwhile to post their images to the net anyway.
Here is why:
1. The Internet is the greatest communication tool going and a great way to get an image out into the world.
2. A web image is typically a reduced version of the original. Printing from this image will result in an inferior print compared to the original and not even close to the artist’s intention. Watermarking an image can further discourage printing. Stock Photography houses like Getty Images do just fine posting vast numbers of images to the web, but they post small versions only. If you want the larger version, you pay a fee.
3. Copying an image to another site or including it in another work of art, as annoying as that is, exposes the work to a greater audience. Worst case, the image is claimed by another artist as their own or is used without credit.
It’s still important to copyright and protect images particularly for print publication use. Professional photographers depend on being paid for each use unless they have sold that right to someone else. But the Internet seems to be a different kind of place. At some point image software may contain an expiration code that disassembles an image after a certain date. Until that happens anything you put on the web can wind up anywhere else.
Another review of our Mina Dresden Gallery Exhibition
/in Book and Exhibition Reviews /by Ari SalomonThis is another review of our current exhibition. Read the full review.
Events: April 10, 2010
This listing includes reviews of: Catharine Clark, Mina Dresden, Michael Rosenthal, Root Division, Eleanor Harwood, Guerrero, Parisoma, Warehouse Gallery (Oakland).
Adrienne Defendi @RayKo Photo Center
/in Events, Member News /by adminAdrienne Defendi participates in RayKo’s 3rd Annual Juried Pinhole Camera Show, 428 Third Street, San Francisco. Opening Reception: Sunday, April 25, 4-6pm.
Adrienne Defendi @Castell Photo Gallery
/in Events, Member News /by adminAdrienne Defendi exhibits three images in The Lensless Image: A Juried Exhibition of Lensless Photography, at Castell Photography, Asheville, NC. Opening reception: April 29th, 5-8pm.
Prevalence of Photography
/1 Comment/in Thinking about Photography /by adminMaking a print is physical and requires making difficult choices
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Synthetic Environments: Bay Area Photographers Collective at the Mina Dresden Gallery
/in Book and Exhibition Reviews /by Ari SalomonThis is a review of our current exhibition. Read the full review at SF Examiner.com.
via Synthetic Environments: Bay Area Photographers Collective at the Mina Dresden Gallery.
Erin Malone @Minneapolis Photo Center
/in Events, Member News /by adminErin Malone will participate in the juried exhibition, Landscape Unfeigned or Illusory at the Minneapolis Photo Center, 2400 North Second Street, Minneapolis, MN. Opening Reception: 23 April 2010 7:00-10:00pm.
BAPC Members Peer Review
/in Events, Member-only Events /by adminBAPC Members Peer Review at Rayko. Members Only.
BAPC Members Peer Review
/in Events, Member-only Events /by adminBAPC Members Peer Review at Rayko. Members Only.
Adrienne Defendi and Angelika Schilli @Vermont Photography Workplace
/in Events, Member News /by adminAdrienne Defendi and Angelika Schilli will be participating in the Nostalgia show at the Vermont Photo Place Gallery, 3 Park Street in Middlebury, Vermont. Artists Reception is April 9th, 5-7 pm
Eric Larson @SOMA Open Studios
/in Events, Member News /by adminEric Larson is participating in the SOMA Open Studios at the ARC Studios and Gallery, 1246 Folsom at 9th St. The artist’s reception is 7-10pm April 16th.
BAPC Members Guest Review
/in Events, Member-only Events /by adminPhotographer, Susannah Hayes is scheduled as a guest reviewer.
Irene Imfield’s Oakland studio. Members only